Author: Katherine Owens
Genre: New Adult / Contemporary Romance
Release Date: August 25, 2014
Title: The Truth About Air and Water (Truth In Lies #2)
Can be read as a standalone, but it is suggested to read
This Much Is True (Truth In Lies #1) first
“The world breaks everyone, and afterward, some are strong at the broken places.” -Ernest Hemingway ~ A Farewell To Arms
They share an epic love but one moment changes everything. A life together that seemed certain is shattered. One learns you never love the same way twice; the other learns what it means to come home. You only think you know how this love story goes, but do you really know how an epic love can end?
“There are all kinds of love in this world but never the same love twice.”
-F. Scott Fitzgerald
She is living color, and I’ve been in a black-and-white world for far too long without her.
Powerful stuff. It surrounds me. I’ve felt it since I first arrived. The forcefield of her. The magnetism of her. The power she wields over me. I’m alive again because of her, like a dying plant that finally gets some water. I’ve got it bad for this girl.
Reality dawns.
The light comes through the darkness and shines on me.
She’s my water.
-Lincoln Presley
The truth is I breathe with him. He is my air. Raison d’etre.
-Tally Landon
Author's note: This novel is part of the Truth In Lies series. It can be read as standalone, however, fans of my fiction already are highly recommending that those new to my work, READ This Much Is True book 1 FIRST.
As Lincoln Presley would say, "do as you must, Princess."
From This
Much Is True, book 1 – Chapter 2 - Linc
“There was this girl. She would have been brought in a few hours
ago? She was in a car accident with her sister. Her sister…she didn’t…make it.”
I swallow hard as I’m all too familiar with how to damp down this
kind of painful loss for myself, even though empathy attempts to wrestle with
me now. I’m still shaken by what transpired on the 101 just three hours ago. It
was horrific for everyone there but especially for the girl I swooped up in my
arms and ran away with from the inferno. The image of her beautiful devastated
face and haunting emerald green eyes stay with me.
The woman behind the information desk has this long mane of silver
hair that’s gathered up in this huge gold clip and neatly pulled back from her
surprisingly unlined face. I notice the fashionable style because my mom used
to wear her hair that way, whenever my mom had a big interview with one of the
entertainment shows or a big spread with Harper’s or Vogue. Cara Sanderson
Presley said it made her feel young and fresh and put together. This woman
looks like the same kind of regal queen as my mother as she sits there behind
this huge computer monitor that makes it difficult to fully see her. This lady
stares at me with her mouth half-open, as if she’s trying to place me but isn’t
quite sure yet.
For my part, I pull my baseball cap forward because the last thing
I need is someone to recognize me, although that might help with the
situation. Seconds later, I decide to take off my cap and hold it in my
hands and give her my best I-need-your-help look, complete with a
charming smile. “There’s this girl. She has raven-black hair; well, it’s more
the color of dark ground espresso, I guess. It’s long? She was in a car
accident about three hours ago. And I was just wondering…”
“We can’t give out information about our patients, young man. And
aren’t you that baseball player? The one the major leagues are clamoring to
sign? Baseball pitcher. What’s your name? A President’s name. Something
Presley. I remember it because I remember it was Elvis’s last name. The singer?
Surely you know his songs. Young people these days not remembering Elvis
Presley is just a crime. We watch American Idol sometimes, and I keep hoping
one year they’ll feature his songs because if you really want to know who could
sing and dance—well, it had to be Elvis Presley. Well, it’s a good way to remember
your last name in any case. I’m sure you get that all the time.”
“All the time.”
“My husband would be thrilled at meeting you. I am, too, of
course, but…well, I’m not much for baseball anymore.” She sighs. “We used to go
all the time, but now it’s just so darned expensive. Our son will splurge for
tickets every once in a while, and he takes Dickie—that’s my husband
Richard, actually; but everyone’s called him Dickie since…well, since we met in
the eleventh grade fifty years ago.” Her cheeks are flushed, and even her scalp
that peaks through her thinning silver hair is tinged a faint pink.
I swoop in when she gives me a chance to speak. “My name is
Lincoln Presley. Yes, I’m actually playing on the Stanford Cardinal baseball
team again this year. First game next week. Now it’s practice pretty much all
the time.”
“Oh. Well, good luck—although I personally think you should stay
in school.”
“Yes, ma’am. I’ll finish up at Stanford this June. And the sports
reporters are covering the stuff with major-league baseball’s interest in me. I
can’t really comment about that. My publicist would have my head if I did.”
Kimberley would be so proud. I actually try to smile. “My dad’s Davis Presley.
He played for the Giants. Maybe your husband remembers him.”
“Oh, my goodness, yes. Your father is Davis Presley? Then your mom
was Cara Sanderson? I remember when she up and married Davis Presley. I loved
her films. I’m so sorry she died.”
She makes this sympathetic clucking sound while I hold my breath
and strive for composure by hanging my head to hide my face before it betrays
all these emotions that I don’t usually give into when people mention my mom.
“I don’t…I don’t talk about my mom. I’m sorry.”
There’s this awkward silence. She folds her hands into her lap and
mumbles an apology and manages to look disappointed at the same time. In me?
I’m a little taken aback that even this woman demands I talk about
my mother. I have to tell myself to forget it, even though I feel bad
for a brief moment like I always do. I let the moment pass because, even though
it’s been eight years, I still hold on tight to the notion that I don’t talk
about my mom or my brother Elliott to anyone, least of all a stranger.
My feelings about their loss are mine, and I don’t tell anyone how I feel about
that. I sigh deeply and start again. “I’m looking for this girl. There was this
girl. She was in a car accident, and I was just wondering if you had any way of
looking up her information. I’d like to know if she’s okay. Her sister…” My
voice shakes. The woman’s blue eyes alight on mine. She looks sympathetic
again. “Her sister didn’t make it. I didn’t get her name.”
“Mr. Presley, I’d like to help you—I really would—but I
can’t give out information about the patients.”
“What’s the information desk for, then?” I ask gently and flash
her one of my most charming smiles as a last-ditch effort to disarm her enough
to help me anyway.
“Oh, you know.” She gets this little smile. “We tell people how to
find their way around. And when people know the patient’s name, we look
up the room number for them and direct them from there. That kind of thing. I’m
just a volunteer three days a week. It helps pass the time.”
“I’m sure it does.” I sigh again and fidget with the baseball cap
in my hand.
The woman eyes me closer. “Were you there at the accident? It
sounds like it was awful. It’s all over the news, and that girl—the other
twin—she was too young to die such a horrible death. How sad. I just feel so
sorry for the family. He’s one of the best…here.” Her eyes get teary. “But
there was just nothing he could do. It was too late for his daughter.” She
studies me for a few long seconds, clearly aware of the small tidbit of
information she’s just given to me. “You really need to get the blood of out
your clothes before it completely dries; otherwise, it will never come out.
She’s not going to want to see you like this. You’ll scare her and remind her
of the terrible tragedy she’s just been through. Poor girl.”
“I don’t think I’ll be wearing these again.”
“Why don’t you sign for a nice bouquet of flowers with the gift
shop? I can make sure they get delivered. I can’t give you the room number, but
I can deliver it after you leave.”
This seems the best I’ll be able to do. Charm isn’t working today,
and my inexplicable quest for pursuing this whole thing begins to weigh upon
me. There’s nothing I could have done. I did all I could, and clearly it wasn’t
nearly enough. I push off the counter and head toward the gift shop. Within
minutes, I pick out white roses and baby’s breath, and a nice little blue and
white vase that I think my mother would have liked. I add a small teddy bear to
my purchase as an afterthought once I reach the counter. I manage to spend a
little over $120 on a girl whose name I don’t know and probably never will in
less than ten minutes. And it still feels like it’s not nearly enough. But I
have to do something. I lay out my Visa card, and the cashier runs it through
with a slightly dazed smile.
Ten minutes later, I’m placing a nice little cardboard box
containing the vase of flowers complete with a white ribbon tied around
it—because pink seemed inappropriate, and red seemed too morbid—and the little
teddy bear tucked in next to it back on Mrs. Trinity’s desk. Times ahead were
going to be rough for this girl, and giving her some flowers is the least I can
do.
Mrs. Trinity beams at me. Women really do like it when you do
exactly what they’ve told you to do. It never ceases to amaze me even under
these surreal circumstances.
I can’t even explain why I’m here. Why I felt compelled to check
three hospitals in the general vicinity of San Francisco and basically got the
same answers from the same kind of helpful women at each information desk I
went to. This is the first one who suggested the flowers, so I know I am, at
least, in the right place this time.
I flash her a little smile and give her a slight wave, and she
nods with approval at my gifts. “She’ll be better tomorrow. Tonight, she’s just
resting. Tomorrow, she’ll wake up and wonder where her sister is for a few
minutes before she remembers.” The woman’s lips tremble as she says this. “It’s
very kind of you to do this. I must say, I’m impressed. Now, if you just stay
in school, Mr. Presley, and finish up at Stanford before you chase the money
and that huge contract for baseball, you’ll really make me and your wonderful
mother in Heaven both proud.”
Audacious. My smile falters a
little because she’s mentioned my mom again and Heaven in the same sentence.
She waves her index finger at me. “Get those clothes washed. I’ll
be here again tomorrow. Look for me then, and maybe she’ll be well enough to
ask me about the flowers and who sent them, and I’ll tell her. Oh, you need to
sign the card.”
She slides the little white card that the cashier placed in with
the flowers over to me. Thinking of You is printed in black script
across the top of the card. I’m not sure it’s the best thing to say, but it’s
better than the other card choice that said With Sympathy.
I hate those cards.
I write:
Thinking of you. This much is true,
Elvis
For some reason, the anonymity with the name Elvis seems
appropriate. She probably won’t even remember that she called me by that name
at the accident. I can’t be here tomorrow. I won’t be here tomorrow. I’ll be on
my way to L.A. to see my dad. I don’t volunteer this bit of news to Mrs.
Trinity because, for some reason, providing her with that easy excuse and
garnering her general disapproval is too much. Truthfully, the idea of seeing
the girl from the accident again scares the hell out of me because there was
something about her that captivated me at a soul level. Somehow, I think this
woman would pick up on that. The truth is this: I can’t afford any kind of
distraction, not even for the beautiful broken girl with the amazing green eyes
and long dark hair lying in a bed somewhere in this hospital.
My one and only
focus is baseball. That’s the way it’s been for almost ten years, and every
call from my dad about the upcoming season and major league baseball’s June
draft serve as constant reminders of that singular focus and commitment to this
one and only thing allowed in my life—baseball.
From The
Truth About Air & Water, book 2 – Chapter 2 - Tally
“She’s got the story,” I say
to Linc hours later as we lie next to each other taking up only half of the
king-sized bed because our bodies remain intertwined at an all but intimate
level. The money shot photograph session took twice as long as the interview.
After another three hours, we finally told Candy we had to go. I had to pick up
Cara from preschool and Linc had a late practice.
We left Candy and her photographer while
they were still packing up their gear. By this time, the reporter had given up
on asking us any more questions. She had the money shot. She had the story. We
weren’t going to like it. The unsettled feeling nagged at me, but Linc didn’t
seem to care. “She’s got the story.” Apparently, my fears need repeating.
“So?”
He asks with a laugh. “Come here.” He pulls me closer and trails his hands down
between my legs knowing full well this is my ultimate weakness for him. I
cannot not respond. His touch right there gets me to do just about anything for
him. I moan. He laughs again as he starts to make his move.
We
put Cara to bed fifteen minutes ago and left the bedroom door slightly ajar so
we can hear her but closed enough so she doesn’t hear us. Usually, we wait the
agreed-upon half-hour before commencing with doing
the deed as I still like to call it, but she was extra
tired because I let her stay up late to watch Entangled. I’m not sure she understands the story line completely. I’m not
sure I do either but she loves Rapunzel’s long hair. We watched it together
while we waited for Linc’s return from practice. Cara played with my hair for
most of the movie and kept running her little fingers through it over and over,
while I filled out endless wedding invitations, imploring the ninety-five
percent of strangers I do not know to come witness our nuptials in the middle
of October.
“The
article won’t run for weeks. Don’t worry about it. By the time it does, the
season will probably be over. We’ll be married. Settled. Nobody is going to
care about how we met or what happened in Moscow. They’ll be staring at your
photograph, the Dirty Dancing one,
and be thinking how did that guy get so lucky and get a girl like her? All
those Sports Illustrated fans
wishing they were me and holding you up in the air just like Baby.”
“Even
the girls?”
He
laughs. “Even the girls. When are you going to start believing we’re the two
luckiest people in the world?” I turn into him then and stroke his face and
search his eyes for solace and truth but I don’t answer. “When are you going to
let go and let this happen and believe in it? In me? In us?” Linc asks again.
I
trace his lips and kiss him. Lightly. Just a trace.
In
the next, he smothers my face with kisses of his own and eventually pulls me up
beneath him. “Come on, Tally. Let it go. Let it all go. I’m here. I’m not going
anywhere. Don’t put a time clock on this. Don’t walk down the aisle toward me,
less than a month from now, still not believing that this isn’t real or this
won’t last because it will. I’m here. You’re here. So. Believe it. In me. In
us. Now.” He pulls away from me and studies my face. Guilt arrives right on
time. I wince along with it.“What is it? What aren’t you telling me? Because
with that face? It is definitely something.”
“Dr.
Eldon scheduled an ultrasound. I just…she’s optimistic and I just hope that we
can find a way to have another child. I want to give you a son because you’ve
given so much to me. And I want you to be happy. With me.”
“I
am happy with you. I love you
because you’re my life. You’re my water. Don’t forget that. I couldn’t survive
without you.” He plays with a strand of my hair and lets it slip through his
fingers. “And I’m your air.” He sighs a little. “I love you just as you are
whether we have more kids or not. That’s why we’re going to make it. But you
have to stop believing that something bad is going to happen. You have to
believe in us as much as I do. We’re going to have this great life together. We
already do. I love you.
You love me. And believe me; love is enough. Our
love is enough.”
I hold my breath and gaze
at him for a long while. The commitment and compassion I see in the depths of
his eyes begins to steady me. All the doubt, and even the guilt, begin to fade
away. Like a protective shield, his love encircles me from all around.
Then
when he pulls me into his arm and looks at me as if I’m the only one that
counts, just before he kisses me, it is reassuring in the only way that
matters.
Lincoln Presley, baseball star, is one of a kind.
And, he’s mine.
It’s a miracle really.
What
an unbelievable stroke of luck at having him in my life and loving me back. I
kiss him and let go of all my deep-rooted fears: falling, failing, even losing.
I actually feel them disappear as if a strange wind has come by and blown them
away.
I
take in air—his air—that allows me to live and breathe.
“Okay,”
I eventually say.
Then, I grab his hand and
lightly kiss the inside of his wrist, and then trail my lips along his broad
chest. He leans back against the pillows with a knowing look pulling me along
with him, but cedes all control to me. I start to smile, but then another
errant thought crashes in on me and threatens to undo all of these joyous
declarations.
Everything breaks.
AMAZON / BARNES & NOBLE / KOBO
/ APPLE
International bestselling author of the New Adult Novel, This Much Is True and the most recently released second novel in the Truth In Lies series of The Truth About Air & Water.
Katherine Owen writes contemporary edgy fiction, which translates to: she writes love stories that are contemporary in setting and both edgy and dark. Some readers term her books emotional roller coasters. She is not sorry. Owen writes about trust, love, and fate and how relationships are often tested by all of these things in one way or another. Love, loss, starting over. Yes, that about covers it.
Owen is partial to commas, dashes, and plot twists & turns and the ampersand sign. Apparently. With a degree in editorial journalism and English, she is aware of the grammatical rules. She chooses to break them. Sometimes. For her complete take on this, click here.
Katherine Owen writes contemporary edgy fiction, which translates to: she writes love stories that are contemporary in setting and both edgy and dark. Some readers term her books emotional roller coasters. She is not sorry. Owen writes about trust, love, and fate and how relationships are often tested by all of these things in one way or another. Love, loss, starting over. Yes, that about covers it.
Owen is partial to commas, dashes, and plot twists & turns and the ampersand sign. Apparently. With a degree in editorial journalism and English, she is aware of the grammatical rules. She chooses to break them. Sometimes. For her complete take on this, click here.
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